Drawing Style

Oh goodness! :D Thank you! This is… amazing to hear! I’ve… gotten a similar ask to this which asked about drawing techniques, so that’s gonna take a tutorial and a bit more work to answer, but I’m more than happy to try and go back through this… would you believe nobody’s ever really asked me this before? I’m totally not prepared hah… but let’s see…

Tips: Breaking away from anime style?

Oh shucks… it’s an honour that you think so. Thank you. :)

Break away from anime style… well, that was the first thing they told me I would need to do at work. It was a really frustrating period, but mostly because I had very little time and they weren’t sure what they wanted… let me see if I can grab the pic I did then…

 

This was how I drew before and…

… this is the result they were satisfied with. I myself wasn’t, but it had to be done in a day, so… yeah. I didn’t learn how to break away from anime in a day, let me tell you that. It took a while.

What you should focus on most, are the way you draw eyes and hair. Once you change that, a lot of other things fall into place all by their own. Another thing you should avoid is the ‘white shine’ over coloured layers - it makes the drawing look plastic.

So what I did was, I looked up a lot of references - not photos, but realistic drawings. Photos can be overwhelming, it can be hard for you to distinguish which lines you should and shouldn’t draw out? But realistic drawings often show you how something is best portrayed, which lines are used to convey an expression, which should be omitted to not look excessive, and so on.

This is what my drawings looked like some months of drawing later:

I don’t particularly like drawing this way, but I had to, because my job required me to. Through it, though, I also sort of strayed away from the anime style, though it’s all too easy to slip back! It sometimes shows in the stuff I draw… but at the same time, the style I choose on this blog is mostly a mix of everything I enjoy drawing. So, while you’re learning, you should focus on real-life drawings, but don’t push yourself too hard. It’s also important that you feel good about what you’re drawing, and if sometimes you feel like flipping a table and just drawing anime in between - that’s fine too. Style change happens slowly, you have to get used to it step by step. Hope that helped? :)

This may seem kinda silly but to make it short I'm an Anon with little experience(took only one class to graduate high school though kinda liked it in the end) when it comes to drawing and I'll be honest here, think you just became my inspiration to do more than doodles :3 by Anonymous

That’s… really amazing to read. I don’t even know what to say… except thank you; I wish you all the luck in the world! :)

Hi! I love your art, the lines are so clean! What program/tools do you use? Thanks in advance :) by kitchenkind

Thank you!! :)

Actually, the lines being clean is a trick I learned years back from Ian from the Webcomic McHall. It’s inked by hand tho, unlike most of my other art on this blog.

You need:

  • a simple H3 (or H5) pencil
  • a scanner
  • a colour printer
  • a black Pilot ReXgrip F pen (they’re super cheap, last for ages and have the best flow and precision)
  • optionally, a STABILO point 88 (fine 0,4), for boarders, because it’s pretty even, but the Pilot works fine, too.
  • … Photoshop?

So uh.


Pilot ReXGrip + pencil (damnit webcam, you so blurry)

And this is the STABILO pen. (in case you can see it…)

It’s important to know that it’s not the price of the pen that will make your work amazing - it’s how you weild it.

But yes, first I make a lot of crazy ass messy pencil doodles, like so:

Facial leads, lines over lines - this is really up to you. A sketch should always be your own personal lead for what you want to achieve so, so long as you can decipher it, it can be as messy or as clean as you need it to be. Don’t ever think sketches are supposed to look in a certain way - they’re your own personal annotations. Some anatomy studies help you grasp proportions, but it’s always you who decides which leads you need. For example, I always use the mid-face divider. It helps me build a character’s face.

After that - I SCAN THE SKETCH AS IT IS and - this is really important - import it to photoshop and turn it blue with this setting; 


You put a new layer over the sketch layer, Paint Bucket it blue and set the layer mode to ‘LIGHTEN’. It should make all your lines nice and blue evenly.

I don’t clean anything - I just make it pale blue and print it as it is. Or sometimes I rearrange panels on the sketch itself, make something smaller or bigger - edit a little at best, and then print out.

And on those blue sketches - I INK. Like so;

Why is this better than direct inking over pencil? Because it helps you see the flaws in your sketches, and it doesn’t require you to erase anything, because you can later easily remove the blue in Photoshop.

The thing about ReXgrip is, that it acts a lot like a pencil. Don’t be afraid to tilt it or press - it follows your hand beautifully. Sometimes tho the ink gathers on the tip, you might want to have a paper towel to wipe it off if you’re drawing something super fine.

Also, before inking, I suggest you just buy the pen and use it for regular writing for a bit, so you get used to it. The flow is really lovely, I’ve drawn professional comics and illustrations with this type of pen - I found it works better than any other kind of artistic markers, and is super cheap. I strongly suggest you try it.

After inking, I scan the pages again. 150-300dpi, depends on what you want to do with the final result. 300dpi is for fine A4 print, but the general rule is the more dpi the better - the only thing to consider is to not make your Photoshop lag later.

After scanning, I import the scans into Photoshop and remove the blue lines with the following command;

Image > Adjustments > Replace color. It should give you a window like this:

This is where I select the blue on the image itself on the background and then set the bottom, ‘Lightness’ slider to 100. It makes all the blues completely white, leaving only clean lines.

After that, you’ll want to sharpen the lines, and play with the contrast until you’ve got what you’re looking for.

That’s it? :) I swear it’s not complicated, try it.

Related to the last post; this is my art from 2003-07, in case anyone’s interested.


You mean are. I don’t think I’ll ever stop researching and feeling the need to get better. :)
I’ve been drawing since before I can remember, my mom has drawings dating to when I was 3? But I started putting more focused effort aged 14 and up, especially after enrolling into an art high. There, I was given a lot of basics, like perspective drawing, the DaVinci’s Vitruvian man, the significance of a handstroke and so on. It’s a lot of research to do on one’s own, but just knowing what you’re looking for to improve can shorten that time a great deal. Don’t think ‘omg so much to know?!’ but try thinking ‘holly sh*t look so many drawing tips to get better!’. Or at least that’s how I took it. Besides, you don’t have to get everything right on the first try (it would be beyond godlike), the important part is not giving up until you do. I do insane mistakes still, and I don’t think I’m any kind of genious or even etitled to tell anyone what to do; but I was the most stubborn in my class, I could sit there for hours on end until I got it right - or until my teacher came and corrected my fine pencil drawings with a thick charcoal stick. A lot of my classmates got insulted with this - but you get over it, grab a new sheet and start over - and suddenly the drawing looked a lot closer to perfect!
The only method I had was poke for feedback, constantly, look up tutorials, download and enlarge until I could see pixel by pixel how something was made, being unable to rest until I knew, tried it out, asked for criticism, fixed, asked for criticism again, push repeat. And I’ve still got a long way to go in the direction I want to take.
I’m adding to this a collection of scans of drawings I did ages ago (they’re dated). These were never finished stuff, but doodles. I have tons upon tons of these (mom keeps them in the attic… someday the house will just collapse, I swear to god XD). These were the years when I was struggling with forms most, I think. hope this helped?

You mean are. I don’t think I’ll ever stop researching and feeling the need to get better. :)

I’ve been drawing since before I can remember, my mom has drawings dating to when I was 3? But I started putting more focused effort aged 14 and up, especially after enrolling into an art high. There, I was given a lot of basics, like perspective drawing, the DaVinci’s Vitruvian man, the significance of a handstroke and so on. It’s a lot of research to do on one’s own, but just knowing what you’re looking for to improve can shorten that time a great deal. Don’t think ‘omg so much to know?!’ but try thinking ‘holly sh*t look so many drawing tips to get better!’. Or at least that’s how I took it. Besides, you don’t have to get everything right on the first try (it would be beyond godlike), the important part is not giving up until you do. I do insane mistakes still, and I don’t think I’m any kind of genious or even etitled to tell anyone what to do; but I was the most stubborn in my class, I could sit there for hours on end until I got it right - or until my teacher came and corrected my fine pencil drawings with a thick charcoal stick. A lot of my classmates got insulted with this - but you get over it, grab a new sheet and start over - and suddenly the drawing looked a lot closer to perfect!

The only method I had was poke for feedback, constantly, look up tutorials, download and enlarge until I could see pixel by pixel how something was made, being unable to rest until I knew, tried it out, asked for criticism, fixed, asked for criticism again, push repeat. And I’ve still got a long way to go in the direction I want to take.

I’m adding to this a collection of scans of drawings I did ages ago (they’re dated). These were never finished stuff, but doodles. I have tons upon tons of these (mom keeps them in the attic… someday the house will just collapse, I swear to god XD). These were the years when I was struggling with forms most, I think. hope this helped?

Dear artists on my dash who are considering quitting art,

may I have your attention for a moment, please?

YOU don’t draw for anyone but yourself. Even if a drawing is fanart or a gift to someone, it was made by you and you learned something from it.

YOU are the one who decides how much time to invest into progress. Getting better doesn’t miraculously happen overnight, be patient! Research! Draw at least an hour a day, every day - the more the better! Always have a doodle pad with you! You like someone’s art? Don’t know how to draw something? GO ASK! 

YOU are the one who should feel satisfied with your own results - comparing is good and healthy, but only as long as looking at an artwork you deem ‘better’ than yours makes you happy because you can sit there and see what the other artists did and learn so many new things! It’s a blessing!

YOU need to love your drawings first and foremost; with all their imperfections - it’s from them that you’ve learned, didn’t you? At the time being you did your best, they are the everlasting proof you were alive for the hours it took to draw them. This is not narcissistic love - but it’s kind of like a significant other. You’re ‘dating’ this hobby so it’s up to you to love tending to it and its every need, consistently, and the more love you give the more it’ll give back - unconditionally!

YOU have a choice to draw. There are people who can’t, because of diseases, injury, old age… what would they give to have a healthy hand like yours? So don’t sit there typing about quitting because of reasons - but grab a pen instead and DRAW what you feel. You’ll see; drawing on is the answer you were looking for all along.

Sorry if my wording is off somewhere, bluh. I LOVE YOU GUYS, STOP FEELING SHITTY.